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  Report: Copyright

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 WORLD-INFOSTRUCTURE > COPYRIGHT > HISTORY: "THE SOUTH"
  History: "The South"


In many traditional Southern countries awe and mystery surround the created object into which the creator projects spirit and soul. Also in contrast with the Western individual-based concept of intellectual property rights it is custom to recognize 'collective', 'communal' or 'folkloric' copyright. Folkloric copyright acknowledges rights to all kinds of knowledge, ideas and innovations produced in 'intellectual commons'. Such rights are not limited to the lifetime of an individual but rather exist in perpetuity with a specific group or an entire people.

Islamic Tradition

Already early Islamic jurists recognized a creator's right or copyright and offered protection against piracy. Traditional Islamic law treats infringement as a breach of ethics, not as a criminal act of theft. Punishment is carried out in the form of defamation of the infringer and the casting of shame on his tribe. Only in recent years many Islamic countries have adopted formal copyright statutes.




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Copyright
    Intellectual Property and the "Information Society" Metaphor
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-3   History: Anglo-American Tradition
-2   History: European Tradition
-1   History: Communist Tradition
0   History: "The South"
+1   History: "Indigenous Tradition"
+2   Basics: Introduction
+3   Basics: Rights Recognized
     ...
Recent "Digital Copyright" Legislation: European Union
 INDEX CARD     RESEARCH MATRIX 
Gottfried Wilhelm von Leibniz
b. July 1, 1646, Leipzig
d. November 14, 1716, Hannover, Hanover

German philosopher, mathematician, and political adviser, important both as a metaphysician and as a logician and distinguished also for his independent invention of the differential and integral calculus. 1661, he entered the University of Leipzig as a law student; there he came into contact with the thought of men who had revolutionized science and philosophy--men such as Galileo, Francis Bacon, Thomas Hobbes, and René Descartes. In 1666 he wrote De Arte Combinatoria ("On the Art of Combination"), in which he formulated a model that is the theoretical ancestor of some modern computers.