Infowar Through the internet a new form of vulnerability of governments is emerging. Hackers drive national and international governmental organizations crazy by changing their websites and offering disinfor-mation. Attacks of this kind happen several times a day and the technicians say there is nothing to stop them. The Pentagon is one of the most popular victims. In the year 1999 the number of hacker-invasions (a series of them is called The Moonlight Maze and was coming from the server of the Russian Academy of Science - a fact that does not proof much) to the Pentagon could rise up till 20.000. Normally it takes several hours to repair the pages - from the moment of realizing that some hackers have entered the zone. The issue runs as a new form of terrorism. Laws are very strict and punishment high, a fact showing the fear of the authorities, as it is more than the disinformation campaigns that frightens them: Internationals Relations could be influenced. See more about this on: http://www.best.com/~hansen/DrPseudocryptonym/infowar.html

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Movies as a Propaganda- and Disinformation-Tool in World War I and II Movies produced in Hollywood in 1918/19 were mainly anti-German. They had some influence but the bigger effect was reached in World War II-movies. The first propaganda movie of World War II was British. At that time all films had to pass censoring. Most beloved were entertaining movies with propaganda messages. The enemy was shown as a beast, an animal-like creature, a brutal person without soul and as an idiot. Whereas the own people were the heroes. That was the new form of atrocity. Leni Riefenstahl was a genius in this respect. Her movies still have an incredible power, while the majority of the other movies of that time look ridiculous today. The combination of light and shadow, the dramatic music and the mass-scenes that resembled ballet, had its effect and political consequences. Some of the German movies of that period still are on the index. U.S.-President Theodore Roosevelt considered movies the best propaganda-instrument, as they are more subtle than other tools. In the late twenties, movies got more and more important, in the USSR, too, like Sergei Eisenstein demonstrated with his movies. Historic events were changed into symbolism, exactly the way propaganda should function. It was disinformation - but in its most artistic form, especially in comparison to most U.S.- and European movies of that time.

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Philip M. Taylor Munitions of the Mind. A history of propaganda from the ancient world to the present era. Manchester 1995 (2nd ed.) This book gives a quite detailed insight on the tools and tasks of propaganda in European and /or Western history. Starting with ancient times the author goes up till the Gulf War and the meaning of propaganda today. In all those different eras propaganda was transporting similar messages, even when technical possibilities had not been fairly as widespread as today. Taylor's book is leading the reader through those different periods, trying to show the typical elements of each one.

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Geraldton Station Latitude: -28.7786, Longitude: 114.6008 The Geraldton station is officially called the Australian Defence Satellite Communications Station, ADSCS. The station targets mainly the second Pacific Intelsat, 703 and the two main Indian Ocean Intelsats, at 60 and 63 degrees east. Another target is likely to be the new Intelsat positioned, in 1992, at 91.5 degrees east, between South East Asia and India. So Geraldton interception concentrates entirely on Indian Ocean and Asian satellites. Source: Nicky Hager, Secret Power, New Zealand's role in the internatinal spy network, (Craig Potton, 1996) p.183-185

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